Mythology has
been brought to the town that doesn’t sleep.
I had the
opportunity to see several Broadway shows/plays recently. The premise of this writing is to share my
experience of Motown the Musical. I was intrigued because Motown the Musical reviews have been mixed; however, it has been consistently sold out. First,
though, I want to discuss an etiquette issue about the Broadway Theatre as a
modern day art form. This should be two
separate writings but I am going to combine the two thoughts. Also, I hope to discuss these plays at a later date.
I recently
saw four Broadway plays. A sad theme was
a lack of respect for the artists and below-the-line support that makes this
magical event happen. In all of these
shows/plays there was texting during the performances. A cell phone rang during the climax of Judith Light’s Tony award winning performance in The Assembled Parties. Candy wrapper cracklings were heard in three
separate plays. Sadly, this crackling of
potato chip bags continued during Cicely Tyson’s Tony award winning performancein A Trip to Bountiful. Did these people realize that this is probably the last
time we will see this American treasure on the Broadway stage as she is
reportedly 88 years of age? And inappropriate talking existed in all the plays. The discussion is not just the disrespect of
the artist and talent or the fellow audience members. These individuals who commit these
occurrences are also cheating themselves.
In my youth I
saw Angels in America (part 1- Millenneum Approaches and part 2- Perestroka), and I believe it was about
seven hours of straight theatre. There was
a time were plays were three full acts and people did not have attention deficits
or poor concentration in the theatre.
The audience allowed the artists to be respected and appreciated. To disengage in the theatre process is poor etiquette
and just rude or disrespectful. The millennium
child could be raised as an argument here, especially if you read any of Larry Rosen’s work on the youth and technology.
However, this issue of disruption in Broadway occurred with all
demographics. It becomes disheartening that there is an unaware of nuances
missed or direct plots misunderstood by disengaging in the magical process of
the imaginary world within the plays realm.
So with this discussion let’s segue into discussing Motown the
Musical.
Forget what I
said about etiquette. Or said another
way, etiquette might be addressed by the time, place and setting. What intrigued me was Motown’s musical had
the same inappropriate issues mentioned above.
Candy wrappers, texting, talking.
However, there was something different in this observation. The show’s first musical number basically happens
early in the show and was one step away from getting the audience up on their
feet to dance to the Temptations and 4 Tops. Not an ovation, but Motown’s music and history
had connected with the audience immediately.
There was an African Call Response that was organic and immediate. As one person requested a person in her front
to be quiet it seemed the person talking was so engaged with the events on
stage that she had a need to fully engage with the occurrences of the
play. So, was this audience member presenting
with poor etiquette or did the griot, nommo, and call response connect to this
person forcing her to fully engage. And
if so, was her talking and being present through dialogue with her neighbors
appropriate within the context of her experience. The same person that requested for the
audience member to discontinue talking also requested the woman behind her to
curb her comments. The second audience
participant was verbal with her historical accounts and events in her personal
life as the Motown story unfolded.
Although considered poor etiquette in the Broadway theatre, this
possibly presents as completely appropriate.
Several
years ago, during my case studies and research for my dissertation on Motown’s
impact on African American Baby Boomers some themes were presented that were
parallel to my experience as an audience participant at the Motown
Musical. There is a key moment in the
show where Valisia LeKae channels Diana Ross’ in which she helps us remember
Ross’ power as arguably one of the most successful entertainers who introduced how
a large venued entertainer can Reach Out and Touch through connecting to the
audience on an intimate level. For a
second, LeKae, who really looks nothing like Ross was able to make us forget
and be in the moment. And the moment was
the audience participating and actively engaging with the magic. So, I might argue that Mr. Gordy, founder of Motown and creator of Ross’ image has shown consistency in his empire and
musical vision. He has always focused on
bringing the audience and listeners to the music and bringing the music to the
audience. In the 1960’s he was
instrumental in breaking barriers to merge Motown to top radio formats to now
bringing the Motowners to Broadway. So,
now the discussion is who is to say how an audience engages and
participates. What is wrong with an
audience member reconnecting to her lived experience and engaging with the griot,
griotte?
This call response might be the reason why Motown has regularly sold out audiences. Whereas the other plays had 40% and 50% discounts at TBS with empty seating, Motown tickets were sold out and full price. Motown the musical was not nominated for the coveted Tony award’s musical of the year, put people are coming. Somethings don’t change. Motown or its artist never received Grammies in the 1960; however, their records sales outperformed the other giant record companies. Motown made its mark; on Billboard and on Broadway.
Read more about Dr. Strayhorn's practice and philosophy...
This call response might be the reason why Motown has regularly sold out audiences. Whereas the other plays had 40% and 50% discounts at TBS with empty seating, Motown tickets were sold out and full price. Motown the musical was not nominated for the coveted Tony award’s musical of the year, put people are coming. Somethings don’t change. Motown or its artist never received Grammies in the 1960; however, their records sales outperformed the other giant record companies. Motown made its mark; on Billboard and on Broadway.
Great review, Reynaldo. Using that research!
ReplyDeleteI wonder what "our dissertation" would have been like if Motown the Musical had been on Broadway while we were working on that 250 page APA formatted thing-a-ma-gig!
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